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Using Educational Neuroscience to inform Secondary Choral Strategies (You May Already Be Using Them!)

Dawn Anglin
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Dawn Anglin,
River View High School
I remember sitting in a professional development session at my local school, when the speaker told us “You are preparing students for jobs that haven’t been created yet.” While my brain said, “that makes sense”, my heart said, “what a huge responsibility…how is this even possible? Furthermore, how does this transfer to the choir room?” It is true, we are living in a time of extraordinary global change, but there is a silver lining: we are still teaching humans, who according to the Human Genome Project, are 99.9% equivalent (Olsen, 1993). When considering student diversity, that statistic seems unbelievable. But what if we took a step back from the complexities of teaching that weigh us down (music theory and sight singing strategies), and approached our students at the biological level…honing in on the 99.9%, instead of stressing over the 00.1%? Theories in Educational Neuroscience (EN) may provide some strategies that seem too simple, yet resonate with how the brain functions at a cellular level. Educational Neuroscience is an interdisciplinary field which contains biological, cognitive, and behavioral dimensions (Kaygısız, Ç., 2022). The biological component happens at the cellular level when electrochemical activity takes place within the brain’s cortical regions (Byrne et al, 2014). The cognitive dimension pertains to the psychology and mental response due to the perception, separation, and storage of stimuli (Albright et al, 2000; Posner and DiGirolamo, 2000). Lastly, the behavioral aspect focuses on the creation, testing, and implementation of educational procedures (Berridge, 2014, Cummings & Mega 2013).
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The Biological Level

Situation: It is not uncommon to over plan. Working from bell to bell is never an issue in a goal-oriented rehearsal. There is the warm-up, sight-reading time, and then we must work on the literature and re-work the literature again (music rehearsals were Formative in nature before the word was even invented, right?) With such a brisk rehearsal pace utilizing an enhanced learning environment, it is important to consider the cognitive load, or mental exertion on our students. Sometimes they just “check out” because the work is just too demanding. In fact, some research indicates that sight reading alone is a major source of cognitive load (Campman, 2020).
Solution: If sight reading is especially challenging for your group, allow the choir to take a mindful breathing break utilizing three quick sips of air through the nose followed by an exhale through the mouth. Do it three times! (Ahmed et al, 2021; Moss, 2025). Using respiration may lead to homeostasis, which our human bodies crave and is a desirable state where the mind and body are balanced because there are no perceived threats, and creates an ideal atmosphere for learning (Davies, 2016; Kuang, 2023). Taking mindful breaks within a rehearsal may benefit most students, but may especially aid exceptional students who require accommodations due to an IEP or 504 plan (Iticovici et al, 2025), or who are prone to music performance anxiety (MPA) (Paul et al, 2024).
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The Cognitive Level

Situation: You can feel it in the air: the kids are tired and unmotivated…but you still need to accomplish important goals. Learning is social, which can be a blessing and a curse-especially when one singer’s disposition has the ability to affect many singers around them. This “trickle over” is known as joint action, which is the coordination of behavior and cognition between two or more people, and allows for the coordination of an individual’s behavior with other humans. Attunement is a feature of joint action and occurs as groups of people become sympathetic and empathetic to each other’s intentions and actions (Gallese et al, 2007; Stavely, 2020).
Solution: As you read the room, be flexible in your rehearsal plan. Instead of starting the rehearsal in your standard seating arrangement, allow the students to move locations and stand next to a friend anywhere in the room, and then proceed with your warm up time. Bonus points if you can slip in a fun song that utilizes body movements, which may help them forget they were tired to begin with.

The Behavioral Level

Situation: The choir rehearsal looks like movie night. Students’ posture indicates that a TV remote and a bowl of popcorn must be nearby. While some students can make postural adjustments with ease, other students require our “broken record” reminders of proper alignment and why it is important. A potential solution may be found in motor learning theory.

Solution: According to Schmidt and Lee (2018), motor learning theory (MLT) is a methodological set of procedures which are repeatedly practiced, with the hope of creating permanent change within the body's memory of movements. The focus is on behavior and can encompass a wide variety of human experiences which include concepts of attention, memory, and movement, both simple and sophisticated (Lee & Schmidt, 2025). Realizing that over one hundred body systems are used to sing (Moss, 2025), MLT can be implemented in a myriad of ways. However, whatever body movement you are trying to fine tune, must include repetition. If posture is indeed the problem, perhaps a simple numeric system can be employed as seen in Dale Duncan’s S-Cubed sightreading curriculum (Duncan, 2024). One finger = standing position, Two Fingers = aligned seated posture, Three fingers = relaxed or normal seated posture. These indicators would need to have some front loaded, direct instruction so students know your expectations on how each posture should look. The beauty, however, is that a simple hand gesture can be a visual reminder for the individual student to realign without wasting precious rehearsal time. Additionally, it is really fun to practice the different singing positions at lightning speed.

Conclusion

Indeed, we are living in a world filled with record breaking change, but one that is also filled with discovery, including the arena of voice science. While demanding datasets on student achievement and diversity seem to trump modern educational conversations, let’s not forget that our raw product is human, and we can capitalize on 99.9% of that.
References Ahmed, A., Devi, R.G. and Priya, A.J., 2021. Effect of box breathing technique on lung function test. Journal of Pharmaceutical Research International, 33(58A), pp.25-31.
Albright, T.D., Kandel, E.R. and Posner, M.I., 2000. Cognitive neuroscience. Current opinion in neurobiology, 10(5), pp.612-624.
Berridge, K.C., 2004. Motivation concepts in behavioral neuroscience. Physiology & behavior, 81(2), pp.179-209.
Byrne, J.H., Heidelberger, R. and Waxham, M.N. eds., 2014. From molecules to networks: an introduction to cellular and molecular neuroscience. Academic Press.
Campman, J.B., 2020. The White Whale: A Case Study of Sight-Singing Philosophies and Practices of Two Secondary Choral Music Educators (Master's thesis, The University of Arizona).
Cummings, J.L. and Mega, M.S., 2003. Neuropsychiatry and behavioral neuroscience. Oxford University Press.
Davies, Kelvin JA. "Adaptive homeostasis." Molecular aspects of medicine 49 (2016): 1-7.
Duncan, D., 2024. Going Confidently into Retirement. The Choral Journal, 65(1), pp.75-78.
Gallese, V., Eagle, M.N. and Migone, P., 2007. Intentional attunement: Mirror neurons and the neural underpinnings of interpersonal relations. Journal of the American psychoanalytic Association, 55(1), pp.131-175.
Iticovici, M., Russell, R., Fodstad, J., Curtin, M., Thibodaux, L., Reisinger, D. and Wikel, K., 2025. Patient Characteristics and Post-TBI IEP/504 School Recommendations in a Pediatric Rehabilitation Program. Archives of Physical Medicine and Rehabilitation, 106(4), pp.e101-e102.
Kaygısız, Ç., 2022. Educational neuroscience: issues and challenges. Erciyes Journal of Education, 6(1), pp.80-98.
Kuang, S.Y., 2023. Advancing physiology education by understanding the multiple dimensions of homeostasis. Frontiers in Physiology, 14, p.1234214.
Lee, T.D. and Schmidt, R.A., 2025. Motor Learning and Performance: From Principles to Application. Human Kinetics.
Moss, H.(22-29 April, 2025), Certificate in Applied Neuroscience and Voice, Voice Study Center.
Olson, M.V., 1993. The human genome project. Proceedings of the National Academy of Sciences, 90(10), pp.4338-4344
Paul, A.E., Juncos, D.G. and Winter, D., 2024. Acceptance and commitment coaching for music performance anxiety in adolescent singers. Frontiers in Psychology, 15, p.1386559
Posner, M.I. and DiGirolamo, G.J., 2000. Cognitive neuroscience: origins and promise. Psychological bulletin, 126(6), p.873.
Schmidt, R.A., & Lee, T.D. 2005. Motor Control and Learning: A Behavioral Emphasis. 4th ed. Human Kinetics
Staveley, R.M., 2020. Embedding embodied cognition and neuroscience in music pedagogy. University of Technology Sydney (Australia).
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Dawn Anglin has served as the choral director for grades 7-12 at River View High School in Warsaw, Ohio for the past 22 years. She is the local Tri-M Honor Society advisor, and is currently working on a Masters of Vocal Pedagogy from the Voice Study Center, an associate college of the University of Essex.